Resumo de Crime Do Padre Amaro

Anticlerical romance of fiercest, is ambientado in Leiria, where the Priest I land on water Vieira, ingenuous and psicologicamente a weak one, it goes to assume its parish. Taking up quarters in the house of Mrs. Joaneira, it finishes for if involving sexually with its son, Amélia. I land on water knows, then, the cynicism of its colleagues, that in swims finds odd its relation with the young. Pregnant woman, Amélia finishes for dying in the childbirth and Lands on water delivery the child to a tecedeira of angels. Deceased also the child, I land on water, now cynical a brazen one, continues with its career. The romance, that violently criticizes the villager life and the behavior of the clergy, was, during decades, reading forbidden in many schools of Portugal and it Brazil. The Personages the intention of Eça when writing the Crime of the Priest I land on water was not only the denunciation of the vices of the clergy profligate, but also presenting the stingy life of the Portuguese villager city. Thus, only Amaro and Amélia, the personages central offices, are criticized by the narrator. Also the secondary personages are used to disclose mazelas of the society where they are inserted. The Priest I land on water Vieira the protagonist of the romance was son of two bred of the marquis of Allegros. Child still loses the parents and is educated in the way of the criadagem of the marquesa, what she makes with if becomes enredador. Very lying. The marquesa decides that if it would become priest, and thus, to the fifteen years, is ordered to the seminary. She is weak a in such a way physical one how much psicologicamente. Accepted the priesthood passively. For influence of conde of Ribamar, it gets the parish of Leiria, where if it houses in the house of the S. Joaneira. There Amélia knows, son of its hostess, and it loving its becomes. The environment of the house of the marquesa, where it are servant, and the seminary had molded the character of Land on water. Already priest in Leiria, frightens itself, no beginning, with the explicit cynicism dos its colleagues of batina, but all these situations, added ao surrounding of devout servility da house where it is housed, make with that it if has bogged in dishonourable actions, as to deliver its son to a tecedeira of angels and the child finishes for dying. In the end of the romance, it one became identical its pairs. A colloquy enters Lands on water and cônego Days, shows, of clear form, as I land on water and the other ecclesiastics represent the clergy without hypocritical vocation and. The two are reflecting on the excesses of the Commune, affirm that its followers deserve the dungeon and the gallows because they do not respect the clergy and they destroy in the people the veneration for the priesthood, calumniating the Church. Then, a provocative woman passes ahead of them and both change to looks abetters. Cônego exclama: "- Hem, its Priest I land on water... To that it is that you it wanted to confess "and I land on water answers: "- Already the time goes there, priest-master - pároco said laughing - already I do not confess senão married" http://www.geocities.com/resumets/ Amélia Caminha the co-protagonist of the romance concentrates, in its figure, the tragic of a formation in a half villager and delayed result, centered around the ecclesiastical power. Its house is a beatério, center of convivência of the powerful and amoral priests of the city, where the superficiality of the rituals reigns and a deformation of the Christian religious concepts. In this society, the Church is party plaintiff of the power politician, who uses it in its eleitoreiras maneuvers and he gives social privileges, prestige and power to it. Amélia lives, therefore, encircled of cônegos and priests. To the 23 years, high, strong and "very desired", it possesss a sentimental, romantic and strong sensual temperament. Orphan of father, its mother is loving of cônego Days and it she is a simplória and passive worshipper, attracted by the ritual catholic. Namora João Eduardo, notary's office writer. It knows, then, the Priest I land on water, pároco of the Sé de Leiria, guest in the house of its mother. It to it with total submission gets passionate itself and delivers. She is pregnant and he hides yourself in a fifth next one to the city, folloied of a fanatic very devout woman, sister of cônego Days. He receives the visit from Abbot Sting, only decent priest of the romance. It tries to recoup it for a normal and worthy life and wants to take off it of the ominous influence of Lands on water. However, Amélia dies in the childbirth. Secondary personages the narrator of the romance, in the third person, presents the secondary personages with great dose of irony and a certain antipatia. As he placed it Benjami Abdala Jr well: "the antipatia of the narrator for the circle of friends of the S. Joaneira Is very clear (Maria Installation, Josefa Days, Joaquina Gansoso and the devout Libaninho homosexual). The same it occurs in relation to the colleagues of I land on water (cônego Days, Natário priest and Brito priest), therefore the narrator anticipatedly seems presumptuous of its vices and grosseirias.

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