Resumo de Poetic Aristotle

Poetry is imitation. Species of imitative poetry, classified according to the middle of the imitation.
The Epic poem, the Tragedy, they are all in that you/they generate, imitations. Species of imitative poetry, classified according to the object of the imitation
Origin of the poetry. The one of higher vitality imitate the noble actions and of the more noblemen characters; and the one of lower inclinations went back to the ignoble actions, composing, these, vitupérios, and those, hymns and commendations. Comparison of the Tragedy with the Epic poem. The Epic poem and the Tragedy only agree in they be, both, superior men's imitation, in verse. As the constructive parts, some are the same ones in the Tragedy and in the Epic poem. Another are own of the Tragedy. All the parts of the epic poetry are in the Tragedy, but nor all the one of the tragic poetry are intervened in the Epic poem. Definition of Tragedy. Parts or essential elements. Some parts of the Tragedy only adopt the verse, other also the song. Elocution: same metric composition. Myth: imitation of actions; composition of the actions; Character: the one that does say us of the characters if they have or such quality. It is, therefore necessary that you/they are six the parts of the Tragedy that constitute his/her quality: Myth, character, elocution, thought, show and Melopéia. The most important element is the plot of the facts, because the Tragedy is not the men's imitation, but actions and of life, of happiness and unhappiness. Of here it is proceeded that in the Tragedy, the characters don't act to imitate characters, but they assume characters to make certain actions; for that the actions and the Myth constitute the purpose of the Tragedy. The Myth is the beginning and as that the soul of the Tragedy. Only later the characters come. The Tragedy is, consequently, imitation of an action and through her, mainly, imitation of agents. Structure of the tragic Myth. The composition of the actions is the part of the most important Tragedy. A Tragedy the more beautiful woman will be more extensive. Action unit: historical unit and poetic unit. Many are the actions that a person can practice, but nor for that they constitute an one action. Poetry and history. Tragic myth and traditional Myth. Matter and universal. Mercy and terror. Surprising and wonderful. It is universal: because it seeks the poetry although he/she gives names to their characters. As for the Comedy, already this universal character of the poetry was demonstrated: the comediógrafos, composing the fable according to the verisimilitude, they attribute to the characters later the names that seem them.
In the Tragedy he/she stays the names already existent. Some Tragedies the names of an or two characters are known, being the others invented. The poet should be more fabulador than versifier because he is poet for the imitation and because he imitates actions. Of the Myths and simple actions, the episódicos are the worst ones. The Tragedy also raises the terror and the mercy. Simple and complex myths. Recognition and Peripécia. Of the Myths, some are simple complex, because such other distinction exists, by nature, among the actions that they imitate. Qualitative elements of the complex Myth: Recognition and Peripécia. Qualitative parts of the Tragedy. The parts of the Tragedy are the following ones: prologue: part completes of the Tragedy that precedes the entrance of the choir. episode: part completes of the Tragedy among two corals. The poet and the traditional Myth
Characters. Verisimilitude and need. Recognition: classification of Recognitions. The fourth species of Recognition comes from the Syllogism. There is also the combined Recognition with a paralogismo of the spectators' part. Only Recognition of that species spares artifices, signs and necklaces. Exhortation to the tragic poet. The episodes in the Tragedy an the Epic poem. Once denominated the characters, they grow the episodes. Knot and outcome. Types of Tragedy, classified by the relationship between knot and outcome. Structure of the Epic poem and of the Tragedy. In every Tragedy there are the knot and the outcome. Knot is constituted by all of the cases that are out of the action and a lot of times for some that are inside of the action. There are 4 types of Tragedy, and 4 are also their parts: Complex tragedy: that it consists all her in Peripécia and Recognition. Catastrophic tragedy. Tragedy of characters. The thought. Elocution manners. The poetic elocution. There are two species of names: Simple: they are not constituted of significant parts. The elocution. Parts of the elocution. As for the elocution, the following ones are their parts: letter, symbol, conjunction, name, verb, article, flexing and preposition. Letter: indivisible sound, no, however any sound, but just which can generate a composed sound. Name: it is the sound significant, composed, without determination of time, that doesn't have any part that, as part of the whole, be significant for itself. Preposition: it is composed and significant sound, of which some parts are of per itself significant.

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