Resumo de Memoria Delle Mie Puttane Tristi

An old one, the day of its ninetieth birthday, decides to give a last night of love with one vergine. And' a man who has passed entire its life in one city without name (however identifiable with Barranquilla) and in its brothels. It is not itself never married and its choice to have limited its relationships with a imprecisato but important number (beyond six hundred) of professioniste of the sex seems to us absolutely reasonable, be a matter itself of a personage who moves in the fiabesco world, magical and also real in which Marquez has introduced to us, from the Macondo di Cent' years of solitudine in then. The old one is in pension, although still work, like journalist, in one of the daily paper of the city, in which rubrica all has one its, it lives in the maternal house, undressed little little of all the valuables that they made part of the family patrimony and is by now much time that does not go with one woman, cause objective you limit physicists. This does not mean that not conserves memory of its ?sad whores? and that, above all, desires not to recover in game, an extreme attempt to exorcise the dead women, phantom to hand capacity. It calls one ruffiana of the times passes to you and it asks them for procurargli the vergine so as to permettergli this risen of song of the swan. Old maîtresse the power of attorney a child of fourteen years and prepares it for the night: in order to tranquilize it, it gives to a beverage made up of bromide and valeriana to them, and the girl addormenta. The sleep of the child is the fundamental element of the entire story, because the man, incapable to complete the action for which it had paid, it will end for reiterare its visits and innamorarsi of the beautiful one addormentata, with which will pass nights on nights to rock it, to listen to music, to whisper them filastrocche like is made with the children. Vicissitudine several will remove it from he, and the old one will suffer, for before the time in its life, for the lack of the loved person. It will try in any case possible until the old ruffiana, first passing, then reappeared, will succeed to find again it and to reassure it approximately the availability and the alive anchor interest of the girl for he. Therefore the old one, that it was ready to die after the loss of its love, returns to new life and it is proposed, optimistically, to touch the goal of the one hundred years. The novel, short, is sent down like a fresh beer, law of a breath and personally I think much beautiful one to it. When it is exited has produced fuss, for the roughness of the argument (for some not worthy of a prize Nobel), and contrasting comments. Sure it has scandalized the right-minded people, but the fact does not have to amaze to us, because Gabo is a South American and who does not know the South America, Colombia in particular, does not succeed to pick until in bottom loads with sexiness, aganism and magic that all characterizes its production. Also in this story, like in many others, God is absent. The man alive the own life terrena and in its exclusive within get exausteds itself. The old one thinks next to the dead women not like to a valico, to a passage, but like to the end of all and, for this, it gives value to its days: its life is its memories, the women whom it has had, and the present woman-child, adored like a idolo pays, able of giving a sense to the last years that it remain living. And' also, this story, a glorificazione of the old age, quantunque the protagonist rimarchi many times over, with a sure sadness, than it are old ?is not felt within, but from outside all they see? .MEMORIA to it OF MY SAD WHORES Of Gabriel Garci'a Marquez (And the Myths - Mondadori) An old one, the day of its ninetieth birthday, decides to give a last night of love with one vergine. And' a man who has passed entire its life in one city without name (however identifiable with Barranquilla) and in its brothels. It is not itself never married andchoice to have limited its relationships with a imprecisato but important number (beyond six hundred) of professioniste of the sex seems to us absolutely reasonable, be a matter itself of a personage who moves in the fiabesco world, magical and also real in which Marquez has introduced to us, from the Macondo di Cent' years of solitudine in then. The old one is in pension, although still work, like journalist, in one of the daily paper of the city, in which rubrica all has one its, it lives in the maternal house, undressed little little of all the valuables that they made part of the family patrimony and is by now much time that does not go with one woman, cause objective you limit physicists.

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