The Alchemist
(Paulo Coahlo)
Paul Coehlo presents a fable which steps through reality into fantassy. Fairytales and fables are often dismissed as children's stories without recognition of deeper intellectual content. However, fairytales and fables contain elements of myth that are revealing to human psyche and present studies of human nature. Santiago, an Andulasian shepherd, has a recurring dream of finding treasure in a distant land. He's not really a shepherd, but find his vocation in tending sheep. A seminarian, he should have completed his studies to become a priest. Unlike his local villagers, he can read and occupies his mind through intellectual study while his sheep are busy grazing. His life is redundant. He knows the seasons, the pastures and villages according the needs of his sheep and his life is uneventful until he has the recurring dream which fills his soul with yearning for the unknown destination. The dream is irrepressible, insistant in that he follow a new path. Like all those troubled by inner yearnings, he seeks the advice of someone wiser, skilled in dream interpretation and encounters a Gypsy woman. She tells him that he needs to liten to his inner voice and seek internal counsel rather than relying on external resources. Discouraged he retreats to reconsider the situation and meets an old man who claims he is King of Salem. He introduces himself as Melchizedek and offers Santiago two magical stones, Urim and Thummim, the stones of the high priests rom the ancient temple of Jerusalem. Melchizedek counsels him that he cannot invest what he does not own and he cannot remain in the past if he want to explore the unknown. To fulfil his dream, he must abandon his known environment and cross from Europe into Africa to follow his path. Through the use of metaphor and biblical allusion, Coehlo narrates the unforgettable journey of Santiago as he seeks self-fulfilment. A contemporary Everyman story, The Alchemist draws the reader into a land where fantasy and reality are intertwined and each decision becomes the pivot for success or loss. Arriving in Tangiers, Santiago is disoriented by the alien culture and finds himself swindled. Through misfortune, he loses the precious money that he received from the sale of his beloved flock of sheep. He is tormented between the urge to return to the security of the past and safety of his profession as a sherpherd or to pursue the unknown. As a result his dilemma as a stranger in a strange land, he realizes that his survival is dependent on pragmatic actions and the generosity and hospitality of those about him. He applies himself to menial labor, first cleaning the crystal within a shop window in return for a meal. Slowly he recovers the money lost from the theft and contemplates returning to Spain to redeem his flock. Through the narration of Santiago's foray into northern Africa, Coehlo challenges the reader to assess himself in the light of his own dreams and goals. We follow the adventures of Santiago, but with the constant awareness that we fail to pursue the dreams that elude us in daily life. Lyrical, the book sings with poetry, offering refuge from our chaotic, noisy lives. It offers a time for contemplation, an intellectual retreat and monastery while we ride the busy public transportation to work or sit in the midst of the hubbub of a noisy cafe. The journey from the pastures of Andulasia to the pyuramids of Egypt is not mere fantasy, but reflects the spiritual journey within each person as he strives to achieve fulfilment and find the purpose of his existence in a seemingly senseless world outside filled with meaningless violence.
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