The Love Of Devil
(Jacques Cazotte)
Part two
Cazotte will to break with the usual reasons by presenting the devil is in a traditional way and this reprocessing of the topic supposes that is a question here of not revealing the nature of the irrational disturbance immediately. The exploitation of the topic of malignant must thus be diverted and to innovate. It is about an aesthetic use of the religious and philosophical theories antithetic with the use of unconscious.
According to Bessière, there is a meeting between theologizes and writers: the fantastic one is at the same time the reflection of the popular traditions, of the great aesthetic debates of the moment, and the religious or moral problems. This new literature, which tends to assimilate marvelous and reality touches the very whole company and meets at the same time the needs for identification and escape. The magic yields the place to it to the devil, because it is necessary to describe an evil acting of interior. With the passage of marvelous to fantastic there is a displacement of space where the phenomenon is exerted outside with interior of the hero, and the recourse to the religious theses is explained by the need to find a mystery which is in the sphere of the `individual and not of the company.
Moreover, the hero is almost punished to have let himself take to believe the mother of Alvare ?My son, you ran after the lies and as of the moment even you were surrounded by it. Just as its directions are held for culprits as in the religious tradition ?This banter completed to disconcert me. I refused there, and the intoxication of my directions contributed to my voluntary distraction.?
In 1750, Cazotte manages to make the synthesis of the religious, spiritual hesitations and scientists who make continue with 19th without taking part in the polemic but by exploring his consequence on the individual.
Resumos Relacionados
- The Love Of Devil
- The Da Vinci Code
- The Da Vinci Code
- El Diablo Y El Amor
- My Grandfather Was A Rabbi
|
|
