The Cultmovie
(giorgi;mauro)
CULT MOVIE
the small volume contain a reflection of psychological sociological cut on so-called CULT MOVIE, that is film that in various way is becomes to you with the time objects of venerazione for formations of gets passionate you of every age, social and cultural class. The text draft in particular of the relationship between juvenile cinemas and cultures, through an historical distance that takes the movements from years ?50 and reaches the days ours.
From the reading of the test some constants can be desumere that second l? author determine the birth of a cultmovie. Between these, the reaction of the young people to the culture of the adults, with the putting in crisis of the social models and therefore the will to elaborate controculture in which finds space kinds and cinematographic sottogeneri like the b-movie, the fantascienza, trash the etc
Others capitoletti are dedicate to you to the places of the cult, as it knows them to them of periphery projection, the drive in, the midnight movies, and to some mythical figures of actors like James Dean, Elvis Presley, and directors, like Kubrick or And Wood. Interesting in order to comprise the phenomenon of cult the movie also the analysis of the relationship between cinema and music or the cinema and the comic strips, in particular of author.
the last section is dedicated to the cinema horror, kind particularly predelight from the fan of the cultmovie and inquired here in its multiple declinations, from horror the classic, to the comedian until the so-called one ?splatter? and to the last tendencies. In its with a flowing and intelligent, useful text as she sure begins them key of reading of a complex argument but they puts into effect.
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