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Ritratto Of Dorian Gray
(Oscar Wilde)

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The novel narrates the vicissitudes of Dorian Gray. These are a beautiful boy and its beauty inspires a painter, not known, than ago the beautifulst picture but it decides not esporlo for the fact that is too much of himself in this picture. A friend of the artist, having felt to speak well therefore about Dorian, decides to know it, but he commits an error: it tries to change it. Lord Enrico Wotton, the friend of the artist, had good oratorial dowries and of the theories its with which it succeeds to change, or better to make to begin, the life of Dorian. It in itself takes therefore to courage and confidence same and in Lord Enrico. Innamora of a good attrice that but worked in a class theatre not. When it communicates to Dorian of wanting to stop to recite for amor its, it answered to them that he would have left it because had destroyed its better characteristic. For the desperation, the girl kills itself. Dorian, to which the painter he had donated the picture, notices of an light change of this last one, that she thinks had next to its sconsiderata reaction of forehead to the mistress; in fact it had expressed a desire: he would appeal to that the picture aged to its place. Dorian, distaccato completely from the truth, by now lived in a species of limbo, in which the aging and the imbruttimento of the picture were a terrible problem. It makes yourself to confidare, moreover, from Basilio (the painter, than meantime he has asked to it, uselessly, is to expose the picture is to return to put down for he) the reason for which he does not have intentional to expose the picture, but not confida its, about secret, in how much thinks that of they would remain both upsets to you. In order to avoid that someone can discover of the secret, ripone the picture in one old room and by now in disuse of its house. On he in turn many gossips circulate on some its set in action left, and Basilio, before leaving, wants some to know the reason, for which Dorian it invites it to watch the picture. Basilio remains upsotten for that Dorian has made of its life, but the picture suggests to the boy a deep hatred towards Basilio, that it kills cruel. That is the apotheosis of its sadistic malvagità of mind; to have murdered a friend and to completely remain indifferent, like if in place of Basilio you Moscow had been one. Then but, also not arriving to dispiacersene, of pente for the fear of being indicted, and it asks aid, in order to unravel itself of the body to a doctor, than then one will kill; and, not being able to pardon itself in order to have murdered an innocent, it prefers the oblivion, in the fattispecie for means of the opium. The brother of Sibilla meets here before Goes of it, the attrice loved, died eighteen years, that it wants to kill, and here its beauty the servants in order to convince it that when its sister is dead woman, it was a bambinetto, but the encounter upsets it and scares it, a lot that, when a its friend hunter kills for mistake, without guilt some, a its colleague, convinces that something of similar must succedergli. It discovers then, rallegrando some not little, than the murdered man she was Giacomo Goes some, the brother Sibilla. It was but, and with the will to become bond. New life wanted to begin one now. But ritratto was gotten worse, upsetting Dorian Gray. It is killed, convinced that it cannot be changed, and the picture introduces, who sees the scene, as it was in the time of its antichi splendors.



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