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Some Kind Of Forgiveness
(michael wilt)

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Maybe it was some kind of forgiveness that saw her

through.





She was in her early thirties with two boy
toddlers.

Her


husband left town. It was the mid-1930s, and she
had no


nearby extended family. There were no ?baby and me?

classes


or single-parent support groups. The husband
relocated

to a


city 300 miles away and returned occasionally--

according to


sketchy courthouse records, the sheriff served him
the


divorce papers as he stepped off the train for a

weekend


visit. He paid his court-ordered child support, but
was


soon out of the picture for the duration; he
married

again,


raised a second family, and had a successful career.





Her name was Esther, which means ?star.? She was my


grandmother. In photographs of her taken back then,

with


and without her little boys, she appears as you
might


expect: a little tired and rough around the edges,
but


clearly satisfied with herself and proud of her
sons.

With


her husband gone, she made a career as secretary to
the


superintendent of schools, probably outlasting more

than


one superintendent. Esther held that job for
decades,

and


when she retired it was front page news in the
local

paper.





Throughout all those years Esther never mentioned
her


former husband. He was present, most certainly, in
the


surname that she kept, relegating her maiden name
to an


upright and sturdy

















middle initial. He was present in the faces of her
sons

as


they grew to manhood, as well as in the faces of
the


granddaughters and grandsons who came in due
course.


Present but not present, like someone who has died;
but

we


all knew he was indeed alive and well and absent by

choice.


Esther lived without apparent bitterness or anger

toward


her ex-husband. Where today we might see vindictive

court


proceedings, Esther simply lived -- steadily, even-


handedly. You see it in the pictures she took of
her

sons:


Here is Chester in his 1937 Halloween costume, and
here

is


Alan in his, both costumes brand new and handmade,
each

boy


posed in the exact same spot in the yard. Equal

treatment.


Here are the boys together atop a Civil War cannon
at


Gettysburg battlefield, in matching handmade
outfits

and


caps. Here are the boys with the neighbor kids and

adult


friends who undoubtedly comprised for Esther what
we

today


would call a support system. Later, in wedding

pictures,


she is the lone parent on the side of the groom,
but

not at


all incomplete or self-conscious next to the mother
and


father of the bride. And still later she is the
single


grandparent taking her grandchildren to Gettysburg
and


Colonial Williamsburg and Salem, Massachusetts. It

never


seemed that anything was missing despite the fact
that


something indeed was.





Esther never told the story of her marriage and
divorce

to


her sons and daughters-in-law; her friends who
might

have


known the details never spoke of them, and, like

Esther,


are now long gone. We grandchildren knew,

instinctively,


that the subject was not up for discussion. Whether

raising


it would cause anger or open old wounds we did not

know. It


might just as likely have been a non-issue. In any
case

it


was edited out of the family story despite its real


existence, like text red-lined out of an early
draft of

a


novel. There but not there, like our grandfather.





We?ll never know why Esther maintained this silence
or

what


motivated her to get on with her life the way she
did,

but


of course we speculate. We might surmise that
Esther

moved


ahead out of relief, thankful beyond thankful to be
rid

of


a lost cause of a man. Or that she acted out of a
sense

of


revenge that manifested itself in complete and
utter


competence that says ?You can?t hurt me or anyone I

care


about, no matter what you do or how hard you try.?
Or


perhaps she anesthetized herself through focused
action.





Any of these would be plausible, but as I study
those

old


photos again I more and more come to think that
Esther


found in herself a deep ability to forgive, a kind
of


forgiveness that most of us never have need to
employ.

A


way of forgiveness that enabled her to put the
father

of


her children behind her and move on with a grace
that

would


not have been present in actions taken out of
relief or


revenge or numbness. I think the grace that marked
her


actions is the key to understanding her story.





This year it will be thirty years since Esther
died,

too


young, at seventy. Her former husband lived twenty-

eight


more years. Two or three years after her death, he

dropped


in on the family of the younger of Esther?s sons--
my


father. A subsequent visit by our family to his
home


upstate was an uncomfortable, unnecessary coda to a


relationship that had never existed. He solved no


mysteries, answered no questions. With nothing but

genetic


context in which to think of him as ?grandfather,?

playing


the part of the grandson was out of the question
for

me.



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