Notes From Underground
(Fyodor Dostoevsky)
Fyodor Dostoevsky?s magnum opus Notes from Underground is a shield to the human heart, grinded by the continuous ejaculation of uncontrollable continuity. Dostoevsky, in this novel, is a doppelganger of his own greybeard future. Future is ever underground. The l'affiche of reality is continually hampered by time. He is pictured as a frantically flabbergasted fuel, which is, after all, ineffective to free a fire. The auditory organs grow complex with the groans of claustrophobia. Readers may call up Look Back in Anger; its dirty sex and penetration hone on the heavenly relationship on the whole. However sex is not dirty. It is sullied by unsafe sex between Life and Views of Life ? continually subverted ? in case of Dostoevsky, which helps standardize the lifeless life that leaks through the aisle of penetration. Dostoevsky is cajoled by life ? romantically sung out in the church?s carol. No penetration is classy. And no penetration is in the end penetrated. Essentialism and Establishment laugh at the gory slits of Dostoevsky?s eyes. He is expected to get the warmth of biological existence that is profoundly found inside the womb of a mother. Belief, truth, and sangfroid are modernized into voracity. He has dived into the shell of soil in order that he can save his skin from the earth, waited with explosive existence. He is dreadfully nonchalant. His supple parenchyma is squashed. The world wins in the end, and he, a bad customer of love and admiration, is under the weather with a syndrome he hardly knows.
Dibakar Sarkar
1/A Vidyapith Road
Dum Dum Cantonment
Kolkata 65.
West Bengal
India.
9 January 2006
Resumos Relacionados
- Crime And Punishment
- Macbeth
- The Brothers Karamazov
- Why Afraid From Death
- Why Afraid From Death
|
|
