Slaughterhouse-five
(Vonnegut)
Manipulating our concept of time is a theme seen very heavily in Kurt Vonnegut?s book, Slaughterhouse-five. In order to challenge the conventional concept of reality, in which we find cause and effect relationships between linear events in time, Vonnegut wants to completely eliminate this sense of chronology. In this way, it is impossible to construct any meaning from the chaos, just as it isn?t possible to identify relationships between the ?clumps? of symbols in Tralfamadorian novels (Vonnegut, 88). Vonnegut forces us to adopt a perception of a world that is utterly random and chaotic, so that we, just like the Tralfamadorians, may find ?depths of many marvelous moments seen all at one time? (Vonnegut, 88), instead of trying to continually seek false relationships between sequential events. The style of Vonnegut?s writing is cinematic and like frames in a movie. This again play into the concept of the Tralfamadorian ?clumps? of symbols, each moment a distinct image in of itself, which ?you could look at whenever you wanted to, and wouldn?t change? (Vonnegut, 200). Repeated metaphors throughout the novel, such as the pornographic picture that Weary shows Billy, which he later discovers in the adult bookstore, forces the reader to contemplate a connection between two completely different times and events. This also adds to the sense of chaos and randomness as it is not possible to draw logical cause and effect relationships, but to simply appreciate the events just as they are. Indeed, Vonnegut is demonstrating how we can actually experience ?depths of many marvelous moments seen all at one time? (Vonnegut, 88) through moments such as this. As it is impossible to eliminate time altogether, Vonnegut simply rearranges our concept of time. Billy has absolutely no control over his travels back and forth through time, and it accentuates the feeling of randomness and chaos. What is more significant is that he cannot do anything to change those events, because ?each moment was so structured? that it had to be so, taking away any free will and thus, ethics and morality. Even if free will existed, Billy would still be powerless to act any differently, so he cannot be held accountable for his actions: ?Everything is all right, and everybody has to do exactly what he does.? Vonnegut draws us to the importance of the phrase, ?the accident will? (Vonnegut, 2), once again underlining the importance of understanding that the world is simply a collection of accidents, with no absolutely no connection between events. One benefit to perceiving the world as random and chaotic is that one is then constantly exploring new possibilities, and Vonnegut provides us with a multitude of different beliefs without partiality to any particular one. It is easier to exist in a life of uncertainties than having concrete truths because if a strict moral system existed, then one would also be forced to kill in the name of that moral system. The consequences of not holding any of these values is that you must then rely on gut feelings of what is right and wrong, drawing deep in yourself and not relying on a falsified, reasoned out claim of some universal truth in the world. There is a deep mistrust of reason and logic in the book, because it is simply not capable of providing any sort of explanation for the firebombing of Dresden, or any act of war: ?there is nothing intelligent to say about a massacre? (Vonnegut, 19). The entire metaphor of the Tralfamadorians is a demonstration of this fact, that one must go through ridiculous lengths, to completely rearrange time, to create aliens, in order to explain that war is justified. As ?people are the listless playthings of enormous forces? (Vonnegut, 164), Vonnegut also acknowledges the fact that there is nothing he can do to prevent future wars, in fact, he even goes as far to admit that his book is a ?failure, written by a pillar off salt? (Vonnegut, 22). This references the story of Lot?s wife in the Old Testament, who is forced to look back upon the destruction of Sodom and Gomorrah once more. It is this concept of looking back, of re-examining the past, which is key to this book. It is only in looking back in the past can you find similar events in which you have experienced a similar pain, so that you can simply tell yourself ?so it goes.? The repetition of this phrase throughout the book whenever a death is mentioned, no matter how horrific or how insignificant, serves as a reminder that one should simply remember the fact that deaths have occurred, and will occur, because whatever one says after a death will be inadequate, and it is impossible to have to cope with the full extent of the horror and pain anew each time. Vonnegut emphasizes that we must use our poetic capacities to create metaphors, to tell ourselves about the pain, so that we may find similar experiences of pain in the past. Ultimately, this is the consequence of perceiving the world as chaotic, that we must resort to finding similar past experiences in our memory in order cope with the constant attacks that life throws our way.
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