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The Story Of The Unknown Island
(José Saramago)

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It is for illustrating the constant construction, the search of if to complete, in which the man lives until the final sigh, when it dies without having finished to be born, this great anguish of not in accepting finite to them, that Saramago creates the metaphor the Story of the Unknown Island (1998), where a humble subdit of a kingdom, goes to the door of petitions of the palace, persistently, to require of the king, a boat to go to the search of an island stranger, for astonishment of the king that he affirmed not to exist islands strangers, that they would be all in the maps. For insistence and good argument, the subdit leaves victorious person with the conquest the boat, then is folloied by the woman of the cleanness, that tired of the monotony, the normal of its existence, it decides to follow the adventurer, leaving for the door the decisions to the search of the such unknown island. We understand that, in this workmanship, the same personages want to discover itself, the direction of its existence, in the poetical image of a mysterious island, as the human dreams are mysterious, reflecting a yearning that is universal and that in it moves them since the times most remote. It is important to detach, here, the example of other workmanships of Saramago, the treatment given to the feminine personage, in the paper of mediating force and proficuous in the significant accomplishment of the process of search of the self-knowledge of the masculine personage, questioning and promoting the reflection on this search that is impossible to be carried through separately, but requires a disposal of living together, thinking a new condition human being, envolta in principles that characterize a new to be: as solidarity, the confidence in the men and making constant for the transformation of the individual one for the collective one, established in an ethical humanist, who in compliance with values the study of the relations of I and linking with its fellow creatures, therefore only of this form the man can be become fullfilled and to be happy. Opposing, thus, the optics of modernity, where to be more it is to have more, is to occupy the first place, is to usufruct of the power and the other, manipulating it, in a blindness that it disables to see in the other itself exactly. In the Story of the Unknown Island, the difficulty to visualize and to love the invisible one, to construct the new from the place where in we find them, utopian conception of life, that it stirs up to the actions human beings and it hinders the stagnation of history, in stimulating to keep the hope, is metaphorized in the fact of plus nobody, beyond the woman of the cleanness, to have agreed to being part of the crew in the search of the island stranger. Is easy to live the known one, the new he is frightful, it is necessary some audacity to face the stranger, who to the times we are we ourselves, when we leave to emerge our demons, our lunatic side that in stimulates to allow them arising of our interior, that sometimes we are. Alemão para FrancêsAlemão para InglêsÁrabe para Inglês BETA (teste)Chinês para Inglês BETA (teste)Chinês (Simplificado para Tradicional) BETA (teste)Chinês (Tradicional para Simplificado) BETA (teste)Coreano para Inglês BETA (teste)Espanhol para InglêsFrancês para AlemãoFrancês para InglêsInglês para AlemãoInglês para Árabe BETA (teste)Inglês para Chinês (Simplificado) BETA (teste)Inglês para Chinês (Tradicional) BETA (teste)Inglês para Coreano BETA (teste)Inglês para EspanholInglês para FrancêsInglês para ItalianoInglês para Japonês BETA (teste)Inglês para PortuguêsInglês para Russo BETA (teste)Italiano para InglêsJaponês para Inglês BETA (teste)Português para InglêsRusso para Inglês BETA (teste)



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