Resumo de Paris - MARK RAPPOLT

In 1969 Georges Perec began work on Lieux (Places),
which was to consist of descriptions of twelve Places in Paris, carried out every year for twelve
years, once on the spot and once from memory. This was abandoned half-finished
in 1975, but this double issue of AA files contains four of the
partially completed "on the spot" stories, translated and introduced
by Andrew Leak: "Scene in Italie", "Glances at Gaîté",
"Comings and Goings in rue de l''Assomption", and "Stances on
Mabilon". These are unpolished, and in their attention to the mundane and
"infra-ordinary" sometimes banal, but they offer a fascinating window
on the changing face of Paris and provoking approaches to observation,
description, and memory.

With the exception of a long piece by William Firebrace on the work of W.G.
Sebald, this forms the center around which most of the other contributions fit:
they are about Perec and his work, inspired by him, or about Paris.

Photographer Pierre Getzler accompanied Perec while he was writing parts of Lieux;
an interview with him is accompanied by some of the resulting photographs. In
"The Bartlebooth Follies" Paul Aster offers an introduction to
Perec''s best-known work Life a User''s Manual (1978), which he began
after abandoning Lieux. Tom Emerson''s "From Lieux to Life"
looks at themes running through Species of Spaces, Lieux, and
Life A User''s Manual. And Paul Virilio contributes two pieces on
Perec.

Terry Smith''s "In the morning, will I remember this?" is a diary
of travels around North America, vaguely in
the style of Lieux. Other contributions come from members of the
Oulipo, the literary movement of which Perec was a leading member. There are
short stories by Marcel Bénabou and Harry Mathews, several "metro"
poems by Jacques Jouet (where each line is composed while the train is moving
in between stations and written down when it stops), and a selection of poems
about Paris and Perec by Jacques Roubaud.

Carlos Villanueva Brandt and Richard Wentworth contribute urban
photo-montages. Jean Baptiste Morot writes about painting scenes of 18th
century Paris
for the film The Lady and the Duke. And Julian Green meditates on the
architectural future of Paris.

All of this is packaged in an attractive volume. AA files is
clearly a journal that aspires to be art, not just to discuss it, but it
doesn''t try too hard to be trendy. I found the overall mix of literary
criticism, urbanism, fiction, poetry, and photography a nice balance between
the familiar and the novel. It could be read by those completely unfamiliar
with Perec, but for proper appreciation I would recommend reading at least Life
A User''s Manual first.

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