The Picture Of Dorian Gray
(Oscar Wilde)
The opening scene of the novel introduces the three most important characters. Lord Henry Wotton is visiting his friend Basil Hallward, an artist, who is painting a picture of an attractive young man by the name of Dorian Gray. Dorian is immediately attracted to Lord Henry and his strange philosophy of life, one of which states that the only way to overcome a temptation is to succumb to it. Listening to Lord Henry begins to corrupt Dorian and in a desperate moment, he wishes with all his strength that the picture, which Basil had just completed, would grow old instead of him. Dorian then begins to explore this newfound philosophy and falls in love with a young actress, Sibyl Vane, who performs Shakespeare in a shoddy theatre on the east side of London. After one of her performances, Dorian approaches her and very soon afterwards, he proposes marriage to her. Sybil however only knows his first name and refuses to refer to him by any name other than Prince Charming. After Sybil informs her mother and brother of her impending marriage, her brother James cautions her and says that if ?Prince Charming? ever harms her, he will kill him. Dorian invites Basil and Lord Henry to see Sybil in a production of Romeo and Juliet, but her acting is horrible. After the show, Dorian meets her and she claims that since she has experienced real love, she can no longer act it. Dorian is enraged, claims that her beauty only came from her ability to act, and promptly disowns her. When he arrives home that night, it seems to him that his portrait has changed and he begins to realize that his wish had come true. The following morning Lord Henry arrives at Dorian?s house to tell him that Sybil has killed herself. Dorian is somewhat shocked, but not altogether disturbed by this information. He then continues his downward spiral and partakes in every sin and debauchery forbidden to man. The story eclipses the next eighteen years giving no sordid details, but rather leaving Dorian?s sins to the imagination of the reader. Late one night, Basil arrives at Dorian?s house and confronts him about the rumors that had been circulating about his vile and wicked ways. Dorian offers no excuse and offers to show Basil his soul, the portrait that he had moved to Dorian?s old nursery. The portrait is now scarred almost beyond the point of recognition. Basil sees it and is horrified; Dorian becomes angered at the fate that he believes Basil has inflicted on him and murders him. He then blackmails a former friend, a chemist, to remove the body. Dorian seeks refuge from his crime in an opium den where he runs into a friend and then a former lover who calls him Prince Charming. James Vane is also in this opium den and follows Dorian into the night. He threatens to kill Dorian for what he did to his sister eighteen years ago, but Dorian manages to save himself. He asks James to look at him under the light of a streetlamp. Since Dorian looks not a day over twenty, James believes he has the wrong man and lets Dorian walk free. Dorian?s former lover tells James that the man he had just cornered was, in fact, Dorian Gray so James proceeds to track him down. One evening while he is staying at his country home with several guests, Dorian sees James outside the window. The next day during a game-shooting party, James, who has been stalking Dorian, is accidentally shot and killed. Dorian returns to London and claims to Lord Henry that he will begin to reform his life. Henry scoffs at it and says that he is only doing the right thing because that produces a different type of pleasure. Dorian disbelieves him and asks him to leave. Dorian begins to think that perhaps the portrait is beginning to change back to what it used to be, the beautiful young man who was as pure as snow. He goes up to the room and pulls off the curtain that has covered it for eighteen years only to realize that the picture is now even more wretched than before. Dorian concludes that only a full confession would absolve him of his sins, but he lacks the guilt to justify it and fears the consequences it would bring. He resolves to destroy the only remnant of his conscience, the picture. He picks up the knife that killed Basil and thrusts it into the painting. The servants hear a scream and call the police who find a bloated, disfigured man dead with a knife in his heart and a pristine picture of Dorian Gray as he had looked eighteen years ago.
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