Resumo de Without Tito It

Montalbano not is, but the system of this book of Camilleri is
however that one of a yellow, even if this time is spoken about
a crime to political background.
All it begins towards the end of the ventennio with the celebration
of the anniversary of the murder of a Fascist to work of a
bolscevico. The victim of a murder has been transformed in first (and the only one) to martire
fascist remembered sicialian and like such with oceanic manifestations
in the country where he lived and has been killed. But Camilleri travels over again
the history of this homicide using one technical that can be said
cinematographic; all the book is in fact a flashback (from
the celebration is returned to examine what has happened from the moment
of the killing until the process and what it follows, in order to return to the
fine to the manifestation it begins them). But still more it originates them (and
cinematographic) is the reconstruction of the moment centers them of the vicissitude,
in which the homicide she comes see again and analyzed, so to speak, to
the slow-motion camera and from various points of view.
But, like in every yellow, the appearances trick, and when they begin to
emerging made and testimonies that they could demonstrate innocence
of the assassin, the power resorts to all means in order to at last hide
the truth, succeeding to make to condemn to the jail and then to send to the
I confine the accused.
In parallel with the main history, there is a secondary vicissitude, than
it takes cue from the visit of Mussolini in the country of the victim of a murder. For
ingraziarsi the Duce, the gerarchi local new city decides of fargli putting down
the first stone of one that will call Mussolinia. After this
visit, the construction of the firm city. When Mussolini after
various years, surprise, asks news for its city, the gerarchi
local they do not find other road if not to promise to make to see how much
before the photos that of it demonstrate the state of advance. The city
therefore still comes constructed from one scenografo of Cinecittà (
the cinema?) that it erects to time of record walls and roads in cardboard and wood
in order to allow the realization of the photographic service. As it can
clearly be understood, there is an obvious parallelism between the falsità of
the city and the falsità of the tests to cargo of the culprit.
the writing of Camilleri, with those its way to interpret the
dialetto sicialian, is always godibile, once key learns the words to you
. Also the characterizations of the personages truly
are centered, like as an example the baron, head of the Fascists of the city, than
in the critical moments us it is not never present and it sendes letters to the newspaper for
justifying its absence generally, motivating them with most serious
problems of health that have forced it to remain to outside of
the fray.

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