Pound Beat. Ezra Pound And The Beat Generation,
(francobrain)
Like an interesting test, from the intriguing topic and it originates them, one introduces the volume of 50 pages of Alexander Tesauro published for the types Ar Bookcase. Already from the title it, Pound beat. Ezra Pound and the beat Generation, is understood that we do not find ourselves difronte to the usual, and boring, analysis poetica equipped with famous biographical and bibliographical of and on the author in issue. Tesauro is confronted with the power of the art of Pound seeing reflected in it the implicit ancestor of the beat generation. Of Pound the spregiudicatezza is famous of poetare-against, the idea that the poetry < it must be pasted of silenzio> , than the word it translate the emotion in the matter that has generated, that it gives it tactile feelings to the reading, realizes one trasfigurazione that, winking from the null one, risks of impigliarvisi. But who was the poets of the beat generation? And what they have mutuato from Pound and the other great poets of the years ago? Of fact, poichè the Beat sinks their roots in authors of the past who had placed themselves in similar way in artistic and social field, has been the many tried ones you to force the beat genaration within rigid accrediting outlines, like continuations of other tendencies by now codified from the history. Above all, it has been attempted to lead back their poetry to the old and new European tradition. Without a doubt the Beat read the authors of the Old Continent, but he is fundamental to emphasize independence of this movement, that it was and he remained American. To Whitman, the creator of the American dream, could be made to go back the NATO them of Pound and the Beat. From Whitman they are derives the back to you free, along and irregular sure, the rhythm, the intense search of himself. On the visionario and profetico depositor they received from Blake the delirium and vision atmosphere. From Rimbaud they drew symbolic and cosmic poetare that flake against the bourgeois conventions. Of Baudeleaire they have admired the digging in ambles you of real the deep ones and riposti. From Pound the concretezza, the concision and the idea have derived second which the poetry must be founded on music.
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