Resumo de Chronicles Of Narnia Part 2

THE BENEFIT OF THE FANTASIA (PART 2 END) Without wanting to move us away from the wonderful film for others I leave to its producers a few million dollars, (seventy million dollars in the first week of exhibition) that continues being still today, an exciting reading. Of the History of remote times and their life it put Clive Estaples Lewis much particularly in these stories, but it was lavish in so many other novels as well as in its variety of writings in which he was enormous and diverse in his work, that without omitting its representative image and the seal which it characterized it knew to interlace thematic as dissimilar as the test, the poetry and its narrations. The newness that found in the narrative art with the study of the honesty, loyalty, the exteriorization of the human heart, the psychological analysis of its versions turned lessons of religion and moral over infantile idilios, the privacies, of the endless ones of adventures, the rituals of mythological Gods and fairie godmothers, of the endless adventures and without sense in a word, is a great surprise, that must at least be considered like the value that it already had at his time, because to similar argumental honesty it corresponds exactly that its dialectic literary and intellectual so irreprochable one and clarified the best one offers him this film of the honors, that still today appears subjugating. Their important works were translated from Spanish: "The Devil Proposes a Toast", "God in the Bench", "The Great Divorce", "The Eternal Thing Without Dissimulation", "The Trilogy of Ransom", "The Three Loves", "While We Do Not Have a Face", "Letters of the Devil to Its Nephew", and "Chronicles of Narnia." The present sensibility and the spirit I do not criticize. It either must be surprised of which in this film they exist in stories or histories in distant relation with the central subject. The religion, treaty very subtly, and reason why its life fought Lewis all;the defense of the moral and the Christian faith. It is for that reason that stands out like the outstanding apologist but of the century veinte.(XX) and as far as chronicle that the work offers prodigally about the eventful journeys of four brothers when his father had to go to the war (World War II):Lucy (Georgie Henley), Edmund (Skandar the Keyneses), Susan (Anna Popplewell) and Peter (William Moseley), is something that is thanked for by of more inasmuch as it amuses to us on a par that it illustrates to us, it orients youth and it teaches the our greater ones, intention first than without a doubt it guided the pen at any moment of: CLIVE STAPLES LEWIS Begins a bombing during World War II. Lucy (Georgie Henley), Edmund (Skandar the Keyneses), Susan (Anna Popplewell) and Peter (William Moseley), four brothers whose father has gone away to the war. The thought of CLIVE STAPLES can be synthesized LEWIS who although was not born to make realism social did it with a fine and determined intelligence, in the importance that its thought gives him to the human being and, in certain way with free purifying moral intention costumary struggling to obtain in the kingdom of the feeling the classic balance that in other aspects is tried sometimes by the force and without the authority that sometimes can give to the good example, following cánones of containment and moderation, balance and good ways, without their personages get to tear the place of the person in the universe, nor to be able to assume voluntarily fatality of its destinies so that, in the old conflict of the knowledge of Christ between body and single soul the own experiences locate it in their way: The Way of God based on the love and the suffering. That between the passion and the honor, he is this last the one that prevails. The religion is each God that is born in our Hearts and the Christ the reflection of our actions.

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