One Style Lesson
(ValFio)
Who is the true protagonist of this novel? Perhaps the small Cecilia, incapable to speak, vitiated and scontrosa? Or Lord Geoffrey Blands, its father, kind and stimabile but not therefore irreprensibile as it can seem from the first moment? Even its moglie, Lady Anna, superficial and acida as it wants the world to which it belongs? Or English teaching that comes assumed in order to reveal to the child the secrets of the written words putting fine to the isolation which the deafness has confined it? To being in Association of Bologna it will not be, instead, the patinated air that is breathed between them walls gifts of Ashbery House, an atmosphere that ago of the House a place absolutely outside from the world?
the true protagonist, to my opinion, is the style cited in the title it: a way to make kind and discreet that, to beyond the social position, contraddistingue the head of household: between he and teaching of the daughter it is established from endured a sympathy relationship: Milord seems that strizzi the own eye to the new one arrived assicurandogli, seppur the most composed one, complicity in order to face a pitiless and hostile atmosphere; for its part, the founder, in order not to disappoint the expectations of the man, and in order to keep tight the job, pretends cultore of classic music and frequent visitor of lodges lussuosi: all inventing, Lord Geoffrey understands it from endured, nevertheless it pretends the null one, is to the game giving to teaching, with just the signorile behavior, the lesson of style of the title it.
the cutting irony that the Morazzoni hides between its pages, very is suited to the description of a made world of appearances and behaviors of facade.
Exquisitely English, the grace of this novel, is not breathed alone in the argument, but also in the levità with which it is written, lightness that of it renders the end absolutely unforeseeable.
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- Music Education
- My Life
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- One Boat In Bosco
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