A Woman
(Sibilla Aleramo)
The story told is as tragic as it is typical for the age of the horse between the nineteenth and early twentieth century... and unfortunately later on. Sibilla''s family of origin is bourgeois: a father resourceful and original but authoritarian, and a mother submissive and dejected with fragile nerves, a pale figure beside her exuberant husband. The authoress as a child is bright, clever and sensitive, the eldest daughter of four, and her parent''s favourite. She appears at first idealized and mythicized, probably in line with the Oedipus complex typical at her age. When Sibilla is twelve years old, the father decides to move from Milan to a small town in the South, where he has been encharged with the direction of a chemical plant. Her beloved studies are interrupted; Sibilla works as an employee in her father''s factory. She likes being independent and as free as possible. Her sense of moral isolation grows with regard to her family and above all with regard to the inhabitants of the country with hypocritical, shabby, ignorant mentalities. The young woman perceives an ever increasing lack of harmony and agreement between her parents; the mother slips inexorably into depression ending up trying to kill herself, the husband becomes unfaithful. Their relationship becomes ever colder, until her mother''s mental imbalance becomes so serious that she has to be confined to a mental hospital. In the meanwhile Sibilla develops; at fifteen she gets to know an employee of her father who deceives and then rapes her. When a little over sixteen she will marry him without saying a word to anyone of the rape and the doors will be opened for her to a sort of prison, in which she will spend ten years of her life. She becomes a mother at seventeen, chained - for the sake of her love for her child - to a violent and ignorant man. Collapsed for ever the strong father-figure she could always look to - the father continues being unfaithful to his wife and is despotic and tyrannical with the workers. Sibilla looks in vain for level ground and for fulfilment, for her impossible, in her only rôle, that of wife and mother. She also attempts suicide. The autobiography here becomes also a story of the development of her mature adult character: little by little, with alternating phases and not without pain, the protagonist comes, in the span of ten years, to the definitive decision to leave the family - above all her adored son - to follow her human and literary vocation and be, as far as possible, a free and independent woman. The leaving of the conjugal roof, has the legal consequence of losing the rights to her child and thus the separation becomes as ever more tearing and dramatic, as necessary. The turns of events as told by Aleramo constitute a very remarkable testimony on the condition of the woman in the only just unified Italy; they reveal the vexations, the violence, the threats and the prejudices to which women were subjected: granted no autonomy or independence, expected to submit, they were forced into prearranged rôles from which they could not escape or only with great difficulty. The text does not however indulge in pity or pietism, but affirms and describes very bravely the reality, searching for, where possible, solutions that involve as much women - often responsible for their own submission and the stagnation with which they try to live - as men, invited to open their eyes and change their mentality.
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