The Hunchback Of Notre Dame
(Victor Hugo)
Hugo's first novel, originally published under the name Notre-Dame de Paris, although it has become associated with the "horror" genre, is in reality an epic, sweeping examination of man's relationship with fate, and the ways in which love and desire carve out our indivudual paths through the tapestry of collective destiny. Set in medieval Paris, this masterpiece boasts many colorful and unforgettable characters in addition to the familiar Quasimodo (the hunchbacked bell-ringer of the title) and La Esmeralda, the gypsy dancer who captures his heart with her kindness. There is Quasimodo's guardian, the Archdeacon Claude Frollo, one of the most powerful men of the city, a holy man tormented by guilt over his secret obsession with alchemy- and worse, over his ever-growing lust for the free-spirited gypsy girl; Captain Phoebus de Chateupers, the boastful, social-climbing soldier who becomes the object of Esmeralda's naive affections, a shallow lothario who uses his looks and charm to manipulate every situation to his advantage; Pierre Gringoire, poet, playwright and ostensible narrator of the tale, whose perspective on the society of medieval Paris is broadened by his association with the underground world of thieves, beggars and whores to which Esmeralda connects him; Clopin, the proud and stout-hearted king of this underground; Gudule, the reclusive hag who lives in self-imposed penitent isolation out of grief for an infant daughter stolen by gypsies, years before; Jehan Frollo, the archdeacon's amoral younger brother, a revolutionary; and even the King of France himself, a man with a good heart guided by reason, but isolated from the reality of his people by the very hierarchy he presides over. This myriad of characters, and many more, play out their compelling, interwoven relationships within the framework of the overall plot, at the center of which is Esmeralda. The Archdeacon, in his obsession for her, tries with the aid of his monstrous ward to abduct her, but she is rescued by Phoebus. The deformed bellringer is captured, though Frollo escapes, and as he is punished at the public pillory for his crime, Esmeralda shows her kindness by bringing him a drink of water. Frollo, now driven to the brink of madness, manages to arrange a clandestine rendezvous between Phoebus and Esmeralda, who has become smitten with the captain since her rescue; but at the meeting, Frollo himself stabs the captain and frames Esmeralda for the murder (though Phoebus is, in fact, only wounded). She is convicted and sentenced to hang, but the Archdeacon offers her freedom in exchange for her love, which she refuses; but on the day of her would-be execution, as she does public penance on the steps of Notre Dame cathedral, Quasimodo swings from the towers above and rescues her, carrying her into the church where the law cannot touch her, crying "Sanctuary." From there on, the novel follows the various political and personal machinations which surround her fate, as Frollo, Gringoire, the Court of Beggars and the King himself become enmeshed in plots and counter-plots to either save the gypsy- or end her life; in the meantime, Esmeralda and Quasimodo gradually get to know each other in the high towers of the cathedral, learning, perhaps, the true nature of love in it's purest form. A powerful tale which takes the reader on a spectacular ride, full of humor, social commentary (as true today as it was both in the time of the novel's setting and the time of it's writing in the mid-19th century), tragedy and, above all, a humanism that transcends any attempts to morally judge its characters; even the doomed, hypcritical Archdeacon is ultimately a victim of a fate over which he has no control. The power of Hugo's prose paints an indelible picture of each of the multitude of characters, to say nothing of capturing, with an amazing, nearly photographic clarity, the look and feel of the al Paris in which it is set- indeed, an entire chapter (often skipped by impatient readers, but well worth the time for those who wish to appreciate the full rewards of this novel) is devoted to a detailed description of the city's history, layout and architecture. The Hunchback of Notre Dame is one of those rare novels whose classic status grows with each succeeding generation. It is well-deserved of its fame, and belongs on the must-read list of any fan of literature.
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