Ports Of Call
(Amin Maalouf)
A chance encounter on the Paris metro leads the narrator of Ports of Call to follow a tall old man whose face he recognises from the history textbook he devoured as a youth. Could this man be the same one photographed upon his return to Lebanon, as a hero, after the Second World War? Indeed it is; he is Ossyane Ketabdar, a man with a mysterious deadline four days hence. Our unnamed narrator, also Lebanese, befriends Ossyane and entreats him to tell his tale. The story begins 50 years before Ossyane's birth when his great grandfather, an Ottoman monarch, is deposed. Ossyane's father grows up a liberal and when his friend and tutor, Noubar, no longer feels safe as an Armenian surrounded by increasingly bellicose Ottoman Turks, the two depart for Lebanon, where Ossyane is born. The story moves on to Montpellier in France where Ossyane enrols in medical school, rather than becoming the revolutionary his father wishes him to be. But the events of 1939 dictate a change in lifestyle and Ossyane joins the French resistance and meets Clara, a Jew in hiding, with whom he is fated to fall in love. After the War the couple meet again and settle in Haifa in the inchoate state of Israel, but their lives are disrupted by family illness and the impending 1948 Arab-Israeli war. Having endured so much in Europe, Ossyane's life turns upside down yet again, this time with a sense of utter helplessness and finality. Ossyane is essentially a sad character, but inspires sympathy not only for his experiences but also because of his outlook in spite of them. As his Parisian deadline approaches, time to tell his story is running out. Why is he in Paris? What happened between him and Clara? Will there be time to find out? Maalouf uses simple, lean sentences to explore varied themes: resistance and reconciliation, expectations and failures to meet them, filial duty, love against the odds, relationships between individuals of disparate backgrounds, and betrayal. The tribulations of Muslim Ossyane and Jewish Clara reflect the larger pattern seen in the Middle East over the last half century. In spite of this being a slim volume the narrative visits four countries in times of peace and war. These, and the settings within: grand palaces, safe-houses and a depressing asylum, are Maalouf's ports of call - always waystations rather than final destinations. Another good read from the excellent Harvill Panther imprint, Ports of Call can be easily completed in one sitting but will remain in your mind for some time to come.
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