The Black Marble
(Joseph Wambaugh)
The Black Marble (1978) is probably Wambaugh's best police procedural novel, a romantic comedy with dark roots. The protagonists are two Los Angeles police detectives, A.M. Valnikov and his new partner Natalie Zimmerman. First-generation Russian Valnikov is haunted by dreams of past cases and his previous partner's suicide. Tough-nut Zimmerman is a two-time loser in the marriage department and determined to save her career by cutting her drunken partner loose as soon as possible. She thinks Valnikov is nuts. Valnikov is usually too drunk or hungover to think. Then they get on the trail of a dog-kidnapper and Zimmerman starts to see a gentle, romantic side to Valnikov. He's a much better cop than his current condition indicates and a loving man under all the vodka. Meanwhile, Valnikov is falling in love with the spikey Zimmerman and rediscovering a reason to kick the booze. As an ex-cop, Wambaugh knows the law enforcement mentality from the inside out. He is best known for humanizing the police, making them something besides the cookie-cutter heroes or corrupt stormtroopers that we see on television. But his scenes of the dog-show circuit also demonstrate a flair for research that puts the reader deep into an unfamiliar world, into its sounds, smells and rules. What makes Wambaugh a classic detective novelist, though, is his additional ability to write flawed, sympathetic characters, both heroes and villains. Even the dognapper isn't a bad guy, just one who gets off on the wrong foot and keeps going. And even though Valnikov is a half-mad drunk and Zimmerman is a bitter divorcée with a very sharp tongue, you can't help rooting for this mismatched couple to beat the odds, for love to win out in the end. As romance drunkenly blossoms and the case goes south, the story finally unravels into a hilarious scene involving two amorous cops and a terrified fiddler playing a Russian gypsy love song under the stars.
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