Silas Marner 
(Eliot, George)
  
George Eliot, one of the most admired authors in English literature,   was born in 1819 in Britain, near Nuneaton, as Mary Ann Evans. She   wrote all her novels under this male pen-name, the reason of which   might be reflected in Virginia Woolf's opinion of Eliot's books as   literature for adult people, in contrast to insipid ladies' novels,   written to suit young innocent girls. Already early in life Eliot took   an independent interest in questions of faith, literature and social   problems.   It's widely testified that Eliot was not only a remarkable   intellectual, but in every respect a warmhearted and honest person. Her   private tragedy was that the man she loved was already married. They   nevertheless lived as man and wife, though it took a long time until   their happy union was acknowledged by some of their famous   contemporaries, but only some. The shadow of this candid but   unconventional arrangement fell on her for all of her life--and on her   only, not the husband, such were the times. Against this background the   story of Silas Marner, published in 1861,  becomes even more   moving.   Silas Marner is a poor weaver shunned on false grounds from a small   urban religious sect, with a distorted view of justice. He comes to   live as a total out-sider in a small village where he eventually gets   entangled in the fate of an influential family, where two brothers are   rivals for the upper hand, not always using righteous means. They both   have something to hide: there are misdemeanours that are fatal to one   of them and threaten to spoil the marriage of the other. This love   story could in itself have been the object of an interesting novel. Now   it just makes the book the more rich and the treatment of the main   themes, love and the meaning of life, more full.   In his solitude and forsakenness Silas Marner has become obsessed by   saving what little he can of his meager earnings. He changes the   pennies into gold coins by and by. When he is robbed of them, no one   could be more destitute, half-blind due to his profession, all alone in   the world and fearful of his neighbours after the shunning experience   as he his. As a consequence of an other strain of the story-line, a   small girl-child happens to come to his cottage in a blizzard, after   which the child's mother is found dead. One of the brothers never   returns, a disappearance which seems unconnected.    The advent of Eppie, the little girl, transforms Silas's life, for him   she is a miracle. She grows up to be a lively, diligent girl with a   great deal of pluck and pride. The story of her up-bringing by Silas is   a defence of bringing up children by means of loving kindness rather   than discipline.    Eppie herself looks upon Silas as her father. But her real father, who   out of egotistical reasons doesn't acknowledge her until he thinks   there's something to gain by it, lives not at all far away from the   happy but very modest home, much improved by Eppie's new loving circle   of plain but reliable people.     In her description of the way of life in the cottage and the village   Eliot shows us an unspoiled England that she deeply loves and admires.   When she composes the knots and solves them again she is as engaging as   any detective story writer ever has been. The book is full of   excitement and yet it's quite simply about the great power of real   love. The telling itself is so powerful that it's in no way moralizing   or sentimental, even when it almost touches the archetypal form of a   legend.     This is simply a flawless novel. It has action, intrigue, charm and   wisdom - and on the top of it: glimpses of a great sense of humour.  
 
  
 
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