Amadeus
(Peter Shaffer)
Antonio Salieri, the court composer to the Austrian Emperor Joseph II, finds himself in old age reminiscing about the past. While Salieri, who invites the audience to remember him, knows that his compositions are fading in obscurity, he also knows that his arch rival, Wolfgang Amadeus Mozart, even after poverty and ignominious death, continues to shine in fame and increasing popularity. Salieri than begins the tale of his own obsession and deep standing jealous hatred of the young Mozart and how he caused Mozart?s eventual demise. Shaffer?s ingenious play shows both composers vying for the favor of the Emperor in a time of patronage and constant struggles against poverty and obscurity which occurred during the Eighteenth Century. The play presents a passionate portrayal of the young Mozart as both a vulgar and frivolous young man, but also a poignant genius. Salieri, constantly jealous of Mozart?s seemingly effortless genius despite his unprofessional demeanor, begins to hound Mozart and cause him to lose his influence with the Emperor and even tries to seduce Mozart?s wife, Constanze. After the death of Mozart?s father, Salieri pretends to be his ghost to drive Mozart mad. Shaffer creates interesting connections between these event and Mozart?s operas such as The Magic Flute and Don Giovanni. Finally the strange figure commissions Mozart to create a death requiem which will be his own, and Mozart, driven to despair from the haunting of Salieri, dies and is thrown into an anonymous pauper?s grave. Mozart?s revenge is sure, however, as his fame grows while Salieri, old and bitter, finds his own life draw to a close as a forgotten and mediocre composer.
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