The Convict And The Colonel
(Richard Price)
Anthropologist Richard Price's book of anthro-history from the Caribbean, is an engaging read for scholars and anyone interested in both history and the present day activities in the West Indies. It seemed both a memoir of the author's own personal relationship/love affair with Martinique as well as a discovery of the Island's own "cultural memory," its relationship to its present as well as its colonial past. The structure of the book was incredibly effective. Price went back and forth between personal reminisces, testimony, interviews, and original documents. The reader discovers who Medard was, the story of his life, and the "facts" surrounding the events of Coppens' murder and La guerre du Diamont, before she learns of Martinique's own (self-willed and state-willed) amnesia over such characters and events. In this way, we find the answers before we know the questions. We are enveloped in the harsh world of La Bagne and life under the Vichy-run colonial caribbean before we discover the importance of "collective memory" over "fact." Richard Price illustrates, with sensitivity and understanding, the difficulty of writing a "history," while making me aware of the presence of "the cross- fertilization of histories." Price gives many examples showing diverging opinions of the truth in relationship to Martinique's past and present. During his split testimony of the events surrounding The War of Diamont, we see both the left and the right's opinions of the event. This display of the dichotomy over truth versus falsehood reappears throughout the book. The most ironic display of this occurs during the modern government's use of "commercialized folklore" (pg. 180). The modern regime's refusal to acknowledge the existance of traditional working tools illustrates their view of the past in relation to their modern cultural identity. This discomfort over identity brings into question the ruling body's (the mayor, etc...) classification of Martinique and the common citizen's view of its culture. How we view our country may not be the same as how the people in the public eye view it. Moreover, how we wish to consider ourselves may be different from how we are. All of these alternative view points of cultural identity also make up the common histories of our society: of our past and our present.
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