The Fountainhead
(Ayn Rand)
'The Fountainhead' is Ayn Rand's first novelistic representation of her philosophy of Objectivism. It is the story of Howard Roark, a brilliant architect who is constantly condemned by the voices who control public opinion. These nefarious creatures seek the power to mold public thought, and subjugate the masses by degrading everything that is good and great about Man's acheivements, and glorifying the crass, the crude, the ostentatious. We are gripped in throes of agony at the unjustice of it all, and wonder at how Roark remains untouched amidst the corruption: He stays true to his craft and his principles, only building his creations as they should be built-- in harmony with the landscape, and as tribute to Man's greatness. There are many 'villians' in the story: Roark's teachers who expel him from school, Peter Keating who passes off Roark's creations as his own, the general public who simply parrot the opinions they read in the papers. But the most despicable one of all is Ellsworth Toohey. Toohey's aim in life is to "collect souls". He slowly and insidiously degrades his victims' self-respect. He offers advice in the guise of friendship, but actually leads them down the path of self-loathing and unhappiness, so that their only source of comfort and companionship comes from him. Toohey recognises Roark's genius, but seeks to demean and destroy it. He is dangerous to Toohey because his buildings exalt and inspire, hence undoing the standards of mediocrity that Toohey worked so hard to impose upon others. Thankfully, there are some who appreciate the creations of Howard Roark. Austen Heller and Roger Enright both commission Roark to work for them, enabling Roark's firm to survive. However, his stauchest supporter is Dominique Francon, who also becomes Roark's lover. She is bitter and cynical about the world and its weak malleability, and believes that the public does not deserve to behold the purity and greatness of Roark's work. In the end, the reader is left with a tumult of emotions ranging from horror and disgust at Ellsworth Toohey, denial and disbelief at the plasticity of public opinion as portrayed by Ayn Rand, but also hopeful because one knows that people like Roark and Dominique do exist in the real world.
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