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Cyrano Of Bergerac
(Edmund Rostand)

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The Brave swordsman and romantic poetaCyrano of Bergerac is not fruit of the creative imagination deEdmond Rostand: Saviniano Hércules Cyrano of Bergerac was born emParis in 1619. To the 19 years embraces the career militar,tornando-se cadet of the Guard of Paris. It participates of váriasbatalhas, including of the fence of Deposits, where receives fortress golpena throat, what encloses its military life. In 1653, it passes atrabalhar in home of the duke of Arpajon, installing itself in the paláciode Marais, where is injured in the head due to the fall of umpedaço of wood of the roof. In 1655, foreseeing the death, vaipara home of a cousin- the baroness of Neuvillette-, coming afalecer five days afterwards. Cyrano perhaps have not had acoragem, the heroism and the nobility of the personhagem of Rostand. Masera a controversial man and dedicated to the culture. Was a writer, playwright, philosopher, essayist, comedian and Bohemian. And pareceque had really a huge nose, motive of mockeries that olevavam to beating itself in duel with a lot frequency. Its work épouco expressive, but curious. Wrote a volume of Letters, many containing vigorous attacks the personalities of the epoch; umacomédia, Le pédant joué, where does his criticize old chefesmilitares; a tragedy. The death of Agripina, cited in the piece deRostand; and an audacious work, call another world. Many dosfatos and personages included in Cyrano of Bergerac sãoverídicos, as the battle of Deposits and the enemy one Montfleury. Ofamoso writer Moliér was really contemporary of Cyrano, eparece Have long-suffering some influence of him in the piece, éacusado of plagiarize-him. Rostand quotes also personages deoutros authors of the century XVII, as by example D' Artagnan, oconhecido hero of the work The three mosqueteiros, of AlexandreDumas. As regards Roxana, would have been a cousin that received Curanopouco before of its death. Does not itself know, however, if to devotadapaixão of the famous large-nosed one was real, neither so intense. In the piece, to young appears like a precious one, a típicamulher of the parisian society of middle part of the century XVII, quefrequentava wordly parlors, using récherché language eartificial. Although Molière has satirized them in her piece AsPreciosas ridiculous, Rostand does not present a Roxanacaricatural, despite of her a so much frivolous one be shown efascinada by the arrogant literature of Cyrano. Cyrano of Bergeracfoi represented in endless number parents. In Brazil was translated em1907 by Carlos Port Carreiro, whose admirable work is umaverdadeira achievement of ability linguistics.



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