Eu,robo
(Isaac Asimov)
?Eu, Robô? is a collection of nine Even so independent histories of scientific fiction they shares a subject in common: the interaction of the human beings, the robots and the involved moral in this process.
Asimov created the ?três laws of the Robótica?, that they appear in prominence in films and the literature of the sort. They are they:
a 1) robot não can harm no being humano, or allow that a human being comes to be wronged.
2) A robot deve to obey ordens given it for human beings, not to be that such orders if oppose to the first law.
3) A robot deve to protect its proper existência, contanto that such protection if does not oppose to the two first laws.
These laws gives the rhythm and serves of abutment to all gamma of workmanships of Asimov.
the great gamma of authors follows these laws and exactly professional of robotics they believe that they will be they a referencial in the construction of such machines in the future.
Histories of the Series:
ROBBIE - it turns around the fear of the robots that the people nourish: ?tecnofobia?, that one originates from Complexo of Frankestein, concerning the fear that the human beings possess artificially of beings bred.
?a family, the Weston, acquires a robot of series RB, for its son, Glory, that substitutes the friend for other children or toys. The association takes the girl to stop to laugh and to appreciate the life. Its parents believing the negative influence of Robbie return-in the one for the plant and buy a dog to substitute it. The girl becomes gradual bad. Believing that the place where they live makes with that Glory remembers Robbie, they are changed. They deduce that Glory does not forget the robot because it sees in it a person and not a machine. Take-in to a plant seeing as they are mounted, trying to move as it sees the machines. In an assembly room, they find Robbie mounting other machines. Glory tries to come close itself and is saved to die run over, for a vehicle in movement, for Robbie, what it convinces the Weston the ?good occult nature? in the same and thus it comes back to the familiar conviviality.?
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