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Seize The Day
(Saul Bellow)

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Seize the Day" is a sad little novel about a man, lost in the wilderness of his life, whose struggle "toward the consummation of his heart's ultimate need" can succeed only when he surrenders his composure to his deepest emotions, that secret place in all of us from which we beckon our tears. The one Day in which the entire novel takes place completely encapsulates his past, present, and future into the portrait of a man mired in his environment. The man is 44-year-old Tommy Wilhelm who, like some of Bellow's other fictional protagonists Augie March, Eugene Henderson, and Moses Herzog, is a little piece of the chaos of twentieth-century urban America distilled into a single confused character. Wilhelm is a native New Yorker (although it's obvious his author is not), a failed actor, and an unemployed former sales executive. He is separated from his wife, who is always selfishly demanding from him money that he doesn't have, and his two sons. His only financial support now is from his father, a successful physician who is annoyed by his son's lack of discipline but nevertheless brags about his past accomplishments to anyone who will listen. Wilhelm has a friend named Dr. Tamkin who professes to be a psychologist, has many various interests but dubious talents, and persuades him to invest his last dollar in lard commodities. Tamkin, a world traveler, has told Wilhelm that he "had attended some of the Egyptian royal family as a psychiatrist," a statement that evokes an image of the biblical Joseph prophesying for the Pharaoh seven years of plenty followed by seven years of famine; but Tamkin's optimistic expectation for lard is all profit, no loss. His philosophy is that the future is not worth the worry; live for the "here-and-now": seize the day. He is undoubtedly a charlatan, but in Wilhelm's eyes he means well. One of the novel's themes is atonement, which is signified by the reference to Yom Kippur. Wilhelm is not very religious and has not planned to attend a synagogue, but he recognizes the importance of saying Yiskor for his dead mother; his sincere but idle threat to the unknown hoodlums who vandalized the bench next to her grave will not suffice to honor her memory. Ironically, the place where he ultimately atones is the funeral of a man who is evidently not Jewish (open casket, presence of flowers) -- and he weeps with the knowledge that death is all we achieve from life. Seize the day, indeed.



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